Atchison Art Association

Layers Revealed: The Art of John Vanderpool, May 16 – June 29, 2008

Begin with a well-textured canvas, cover with flat house paint, allow time to dry, illustrate the lines of the subject matter with colored pencils, blur the lines with paint thinner, allow more dry time, create form with oil pastels and finally chalk pastels and still more paint thinner if needed. Thus John Vanderpool outlines the techinical process, which leads to the richly layered and vibrant images he creates. The exhibit at the Muchnic Gallery opens with a reception for the artist Friday, May 16 from 5 – 7 p.m. Mr. Vanderpool characterizes his style as impressionistic, while others have likened the finished pieces to batik, a wax-resist dyeing method used to create textiles in Indonesia, as well as parts of the Asian subcontinent and parts of West Africa. Mr. Vanderpool counts Henri de Toulouse-Lautrec, Edgar Degas, and Joaquín Sorolla y Bastida among his favorite artists. For subject matter, Mr. Vanderpool draws from his collections of old photo postcards, vintage clothing, antique dolls and old family albums, as well as a more recent interest, his iris garden.

Fly Now! Aviation posters from the Smithsonian Institution’s National Air and Space Museum, July 2 - August 17, 2008

The Muchnic Gallery is pleased to host this exhibit, which showcases posters from 1860 to the present. Brilliant vistas from North and South America, Europe, Asia, and Africa set the stage for a fascinating look at more than one hundred years of flight. This array of 40 air travel posters reveals a treasure trove of information about the history of advertising, technology, business, transportation, tourism, and cultural geography. Visitors will experience a glimpse of flight from all eras, beginning with late 19th-century posters hawking aviation as a spectator sport that featured balloons, air show pilots, and exotic performers. Posters from the 1920s highlight the dynamic interaction between people and technology characteristic of commercial air travel. Later, in the imagery of late 1930s airline posters, exhibition-goers will see that speed, “winning time,” and unprecedented views were prevalent themes. Post-World War II posters feature destinations rather than